Exhibit Y? Photogenic proof—albeit
pixelated—stumps even a rigged jury, painting pictures of a land florid with fauna. Out past the lumber mills, past the lumber yards, past the chugging auto saws and acrid plumes; out beyond the slope of thistle, of stumps and mist and rust: the land of boon, sprouting honky tonks. Yes. There. Where the towing just ain’t enforced. Parp parp!
For it was then the blowhard caption horned in, reports The Bugle, sounding off “On the Recent Spike of Oryx Sightings: a Symbology of Cornucopiæ.” And almost... well it almost... sneezed up a hunk of manna.
Almost. Instead: a helical tusk sur le bout de la langue. Magisterial companion to our rotating cast of carousel mounts. Cast in brass, that is. Talking animals?! Shorn affidavit. Political allegory?!—a horse shoe crabbed by narrow margins, purely milling.
Poof! And as for this “protrusion”?
Crushed to a fine, glittering powder, cut with poppy, pressed into neat pills, patented by Little Big Pharma, and finally, sold. Antidote to the common cold—
the only side effect, excessive swearing.
Interest you in a gimlet? Consider this, technically, your official welcome to the pond. This sump sunk dead center some dead aristocrat’s Cartesian garden. Pring has prung. Our vegetative hat grows knobbly as a sacful o’ limes, disbursing a twist of ignoble gasses. Common slaw—a fish wife fragrance,
available for limited time only. We may be bottom feeders but, I tell you this, that our pond has got a whole lot going on. Iridescent scales but in whose flavor? Lil’ fishies nosh big fish, neck ticklishly, in the shape of exfoliage and trashy novels. Deconstructed salad days, if you will. These turgid whiskers not for naught.
What you might call in technical terms our common craw chews common slaw for us. Now that’s what I call haute couture!
Rex ink hole hot off the machina—itself squamulose w/ prefeathers. Gothic curly cues amidst which the character, extinct to us, returns. That’s P as in pterodactyl. Equipped with the advanced new pulley system, can we not master the past faster? Monarchist! Your philtrum is awash in slobber. Suchlike behavior reads illegible, a glandular feint. Shrink peccadillo.
Newtonic fig squelch and ensuing dropsy paroxysm, averted both. Thanks, air plane gluey foot pads. Don’t suppose you happen to know the where bouts of my cockatoo, exiled since last December? Lizards affix all over. After tarring afterfeathers, gravity pules.
Any last words? You just never know. At this late hour, any word
at all could wind up famous somewhere down the line
“You and what anvil?”
Originally from Los Alamos, New Mexico, William Repass lives in Pittsburgh and works as a projectionist and film librarian. His work has appeared in, or is forthcoming from, Bennington Review, Denver Quarterly, Hobart, Small Po[r]tions, and elsewhere.